Vantage Point passes the Bechdel test, but barely.
November 29th, 2008 12:02 pm by Kelly G.Update, 11/29/08:
Dear misogynist fuckwits,
Rather than being “bullshit,” the Bechdel test is the minimum fucking standard that (most) movies should be held to. It’s pretty simple: two women, who utter at least two sentences to one another during the course of 90+ minutes, about something other than teh menses. Like, seriously: two women, two sentences, not revolving around men. That’s a low bar, especially when you consider that almost every damn movie ever made in the history of the world features two+ men, talking to each other, about something other than women. And yet, somehow it’s a huge fucking ordeal for Hollywood to make a film that features two women whose lives do not revolve around men.
I say “most” because, obviously, there will be the odd exception; movies set in all-male spaces, such as an all-male school or such, can be excused for not featuring (m)any female characters, just as movies set in all-female spaces may not have equal male representation.
That said, women do make up a full half of the population - so no, I don’t think it’s unrealistic to expect to see one woman for every man in movies which take place in gender-neutral spaces, such as a public square in Spain. Perhaps our representation in traditionally male fields such as the Secret Service will be unequal, and perhaps such inequities can be forgiven inasmuch as they represent actual, real world statistics. However, I have higher hopes for films; just as our values shape pop culture, pop culture shapes our values. It would be nice to see so-called liberal Hollywood act in a forward-thinking manner where women are concerned. If you’re threatened by that, perhaps you should build a time machine and regress back to the Dark Ages.
Also, I should point out that I quite enjoyed Vantage Point - if you bother to read my post, I gave it an A. Usually, we feminists have to leave our “PC” ideals at the door when dealing with tv, movies, video games, etc., because we still live in a highly misogynist society. If I were to forgo every film that violates my feminist (let alone atheist and vegan) sensibilities, then I’d probably be stuck with feminist documentaries. So yeah, I liked Vantage Point, and in terms of action films, I give it props for being better than most in terms of female representation. It still falls short, though; doubly so when you hear from the director himself that the second-largest female lead was initially a man. Off the top of my head, I also liked Get Smart, Alien 3, Oceans 11-13 and Paycheck, even though none of these pass the Bechdel test. (Actually, Alien 3 is a good example of a film wherein the Bechdel test may not apply, as it’s set on an all-male penal colony.) Complicated concept, I know, but I can enjoy a film on its cinematic merits while simultaneously finding myself disappointed by its lack of female characters.
And please, before commenting, go here. My blog, my discretion. I pay my own web hosting fees, and I don’t do so in order to give misogynist fuckwits a platform to spew their hatred of women. You’ve got more than enough spaces of your own - this one’s mine.
- A movie-going feminist.
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Last night the Mr. and I watched Vantage Point while we chowed down on our Thanksliving Day feast. (Yes, I realize that Tofurky Day was actually two days ago, but therein lies the beauty of not being married to a holiday - if you choose to “celebrate” it, you can party any mofo day you want. More on that later, though. I have FSMas decorating to do this weekend!)
Without throwing in any spoilers, Vantage Point chronicles the assassination of the US President and the subsequent series of terrorist attacks during an anti-terrorist summit in Spain. The same sequence of events is viewed through the eyes of various characters, including the media, the Secret Service, an American tourist, the local police chief, the President, and the terrorist group. Each “vantage point” offers a different piece of the puzzle, so you’re kept guessing until the final point of view is presented. Clocking in at 90 minutes, it’s a tight, action-packed film; just when the rewind-replay gimmick starts to feel repetitive, the vantage point switches to that of the terrorists, and the whole story is recounted from beginning to end. As long as I leave my feminist hat in the closet, Vantage Point earns an A.
From a feminist perspective, Vantage Point passes the Bechdel test, but barely.
While it’s largely an ensemble cast, most of the primary characters are male:
* All the Secret Service agents are men; Dennis Quaid (as Thomas Barnes) and Matthew Fox (Kent Taylor) are the main “eyes” of the Secret Service, and as the source of the Secret Service’s “vantage point” and the hero of the movie, Quaid can be considered the film’s lead. Another pair of agents share a lesser role, chasing down the local police chief after the assassination and explosions, and there are several additional agents with bit parts.
* Forest Whitaker (Howard Lewis) is the American tourist who captures most of the action on his video camera. He figures prominently in several of the character’s POVs, and is one of the “secondary” heroes of the story.
* Enrique (Eduardo Noriega), the local police chief, is a man. While a bit of a patsy, he also acts heroically, both before and after the attacks.
* Four of five of the terrorists are men. Of these, three of the terrorists have what I consider prominent roles: Édgar Ramírez (Javier), Saïd Taghmaoui (Suarez), and Ayelet Zurer (Veronica). Of all the females in the movie, Veronica is most integral to the plot (and she also commands the most screen time of all the women); however, she’s not given a backstory or her own “vantage point,” since the terrorists share a POV as a group. The only terrorist whose motivation is examined is Javier’s.
* President Ashton (William Hurt) and Mayor De Soto (José Carlos Rodríguez) are both men. (Though, to be fair, the Mayor is only seen introducing the President.) The President is a likable guy, while his staff (again, two men) is most certainly not.




























